Piano Is Easy and the Piano by Number series are written by John Aschenbrenner, a noted children's music educator, Emmy Award winning composer, and Broadway veteran.

Click here to view his distinguished academic background.

John is actively involved every day in inspiring children to take a happy interest in the piano using Piano by Number and simple piano games. You can, too!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

LESSON #19

CHILDREN'S PIANO FINGERING STRATEGY

Before you even broach the subject of piano fingering, you have to discover the child’s awareness of fingers in any sense at all. There’s no question that you can ask them. You have to physically see the results to judge each child properly. There are no rules, only horse-sense, common sense and child psychology.

Remember the game THIS LITTLE PIGGY, which every child has doubtless played?

This is the level on which you must enter into a dialogue with the child’s mind.

Kids are hardly aware that they have multiple fingers, and multiple types of digits (fingers and thumb are very different at the piano.)

Several illustrations will help will help a child visualize the distinctions between the digits. First, the thumb is the bully of the hand, the shortest yet most powerful. Second, the five fingers function together much like a basketball team. Third, the first three fingers are the strongest (thumb, index, and middle.) Fourth, the pinkie and fourth fingers are very weak by themselves.

Try this game, which I call, THE PENCIL TEST. Kids love it and really see what you mean when you say the first three fingers are strongest.

THE PENCIL TEST

Take out a common pencil and lay it in the palm of your hand. Describe to the child a type of toy seen often at carnivals and shopping malls, in which a mechanical claw selects a toy, picks it up, and then deposits it in a delivery chute. Most kids have seen this device, or can imagine it with your help.

Ask the child to use their hands in the manner of the steam shovel-like claw, and pick up the pencil slowly. They will want to do it slowly, but make them go almost slow motion so they may observe their fingers.

Almost all children will revert to instinct, and pick up the pencil with their first three fingers, because they are the strongest fingers.

At that very moment, draw their attention to which fingers they have used. It’s important to have them understand that these three fingers, which they have cleverly selected, are the strongest, and, for the moment, are to be favored.

Applaud their instincts. They will want to play again, and almost all kids mischievously will then want to use improbable combinations of weak fingers to prove you wrong. I always end up picking up the pencil between my upper lip and my nose, to demonstrate the most unusual way to pick up the pencil. Comedy works, and is very memorable to a child. The five minutes you “waste” now with this nonsense will be well repaid later.
 
They are now aware of their fingers, and are starting to distinguish them in a way not thought of before.  

(Before you begin, please remember not to combine reading music with fingering yet. That is the central failing of conventional piano lessons, the one offense that kills more kid’s interest in the piano than any other. Fingering should be brought up long before reading music. Reading music should be taught separately from fingering for a long time before you gingerly attempt to link the two.)

FIRST FINGERING STEPS

Allow the child to play with the index finger at first, if that is their instinct. There are so many things for them to think about that the last thing you want them to worry about is what finger with which to do it.

Some will play with the thumbs, usually the very youngest. These you can slowly move towards the index finger as a first step.

Encourage the use of more than one finger, but do not yet utter the words “Nope, use this finger.” Right now, it’s a game. Later, it will be exacting work. Most kids will instinctively begin to use more fingers other than the index when they are comfortable. Give them time to discover the other fingers for themselves, with your gentle, undemanding guidance. They’re just fingers, and we all have ten.

After a child is comfortable playing with the at least the index finger, playing by number, perhaps even reading the first five notes above Middle C if they are ALREADY reading music, start with the following purely physical piano games.

THREESIES

This is the first step we take into Fingering Land. In my view, it is pointless to ask a child to think of a group of five fingers. It is just too large a group, with so many varying capabilities of the digits.

I choose the first three fingers of the right hand to train at first. Once you train those three, the rest fall in line easily.

Place their right thumb on Middle C. Then describe the first three fingers as cars, white blue and yellow (any three colors) who have to park in parking places, the three keys numbered 1,2 and 3 or named C, D and E.

Move their fingers for them if you have to, and it frequently is required, but get them to play those three fingers in a row to awaken their brain to the sense of control that is required. You can alternately get them to play the three keys simultaneously, like a cluster, rather than one after the other. In any case, awaken their sense of controlling those three as a group.

Here’s the catch, and it’s largely age dependent. If THREESIES is in any way difficult, you have to abandon the exercise and try a little later The reason for the caution is that many kids are simply not ready in a neural sense for the effort. Their brains may actually not be developed enough, and it is pointless to frustrate them needlessly. There are plenty of things to learn in the meantime. Bait. Switch and return to the concept when they are fresh. Don’t push.  

Develop a routine in which it is acceptable to play a passage with any fingering at all, and it is alternately required to play a passage with exact fingering. Use the first (any fingering) to let them see the pattern beneath the fingering, and use the second (exact fingering) as a very short exercise in exact fingering. Use exact fingering sparingly if it seems to exhaust them. Their exhaustion is a sign that you have gone too far, and games are in order. 

Last comes all five fingers, but that is easy once you master the first three.

Often, when trying to learn a passage, it is important to let a child play the half dozen notes with their index finger, to let them see the underlying pattern that may go unrecognized in their grueling efforts to keep the fingers in a row.

This lenience also is telling, for often the child can play the pattern easily without the added burden of fingering. In this case, I applaud them and tell them, “Well, see, you did know that part after all, it was just that the fingering was getting in the way.”

This non-fingering success inspires confidence in themselves and makes them want to make a further effort, perhaps not right at that moment, but soon if you ask nicely for it.

You must understand what a huge mental effort fingering is on top of all the other intellectual and physical skills that their very young brains are juggling.

If I had one rule of fingering for the very young, it is that it is acceptable to pretend, temporarily, that it doesn’t exist.  

by John Aschenbrenner Copyright 2008 Walden Pond Press All Rights Reserved

You can follow the lessons in the order we present them, or select your own courses from the Course Directory

START LESSON 20

COURSE DIRECTORY

AMERICAN SCHOOL OF PIANO TEACHING HOME PAGE

RETURN TO OUR MAIN WEBSITE http://www.pianobynumber.com

 

Course One

TEACHING TOOLS

#1 TEACHING CHILDREN'S PIANO

#2 WHAT A CHILD SHOULD EXPECT FROM PIANO LESSONS

#3 WHAT IS FINGERING AND WHEN DO WE USE IT

#4 PIANO BY NUMBER AND OTHER STARTING METHODS

#5 THE FIRST PIANO LESSON

#6 MINUTE BY MINUTE PIANO LESSON

#7 TOYS AND ACCESORIES FOR FUN PIANO LESSONS

#8 READING MUSIC FOR KIDS STEP BY STEP

#9 THE DIFFERENCE BETWEEN WORST AND BEST TEACHER

#10 A CHILD'S CLASSICAL MUSIC LISTENING LIST

 

Course Two

TEACHING BACKGROUND

#11 A SHORT HISTORY OF THE PIANO

#12 A SHORT HISTORY OF PIANO METHODS

#13 A PLEASANT PIANO LESSON ATMOSPHERE

#14 ADVICE TO A YOUNG PIANO TEACHER

#15 WHY I TEACH PIANO

#16 A PIANO TEACHER'S EMOTIONS

#17 PACE AND CHILDREN'S PIANO LESSONS

#18 CHILDREN'S PIANO MOTOR SKILLS DEFINED BY AGE

#19 CHILDREN'S PIANO FINGERING OVERVIEW

#20 GUILT IS THE WRONG WAY TO BUY ATTENTION

 

Course Three

PIANO GAMES

#21 FOURS, A PIANO COUNTING GAME

#22 THE PIANO DICE GAME

#23 PIANO HAND POSITION GAMES

#24 THE USE OF HUMOR IN PIANO LESSONS

#25 HAPPY OR SAD: EAR TRAINING FOR KIDS

#26 FOLLOW THE LEADER: VISUAL PIANO GAMES

#27 PIANO GAMES TO PLAY WHEN ALL GOES WRONG

#28 PRECURSOR SKILL PIANO GAMES

 

 

ADDITIONAL RESOURCES

See also: PIANO BY NUMBER, a series of fun books for beginning piano students of all ages.

See also: EZINE ARTICLES, a list of publications which include John Aschenbrenner's writings about the piano.

 

See also: ARCHIVES at pianoiseasy.com, which contains a large collection of games and articles about children and the piano. Below is a list you will find on that site:

ARTICLES ABOUT CHILDREN AND PIANO
Click here for the FREE EBOOK, a good place to start.  
Click here to read the NEWSLETTER ARCHIVES, including lots of valuable information from teachers and parents from various sources.
Click here to read ARTICLES FROM NEWSWEEK and other periodicals regarding children and piano study. 
Click here to read an INTERVIEW with the author of PIANO IS EASY.
Click here to read the essay, HOW CAN I HELP MY CHILD READ MUSIC?
Click here to read the entire tutorial HOW TO TEACH YOUR CHILD TO READ MUSIC
Click here to read the report WHAT IS A GOOD AGE TO START PIANO LESSONS?
Click here to read the essay PIANO LESSONS: A CHILD'S POINT OF VIEW
Click here to read the essay WHEN IS LEARNING FINGERING NECESSARY?
Click here to read the article  A CHILD'S BILL OF RIGHTS FOR PIANO LESSONS 
Click here to read the article IS PRESCHOOL A GOOD AGE TO START PIANO?
Click here to read the article BRAINS, CHILDREN AND PIANO
Click here to read the article WHY THE PIANO IS THE BEST CHILD'S MUSICAL INSTRUMENT 

ARTICLES ABOUT PRESCHOOL CHILDREN AND PIANO
Click here to read the article TEACHING PRESCHOOL CHILDREN PIANO
Click here to read the article PRESCHOOL PIANO ACTIVITIES

ARTICLES ABOUT CHILDREN AND READING MUSIC
Click here to read the article HOW TO HELP KIDS FIND MIDDLE C
Click here to read the article WHAT KIDS REALLY UNDERSTAND ABOUT SHEET MUSIC
Click here to read the article WHY DELAY READING MUSIC
Click here to read the article AN EFFECTIVE STRATEGY FOR KIDS LEARNING TO READ MUSIC

SPECIAL EDUCATION AND PIANO
Click here to read the article AMAZING MUSICAL ABILITIES OF AUTISTIC AND ADHD CHILDREN
Click here to read the article HYPERACTIVE KIDS AND PIANO 
Click here to read the article PIANO BY NUMBER FOR A SEVERELY DISABLED GIRL 
Click here to read the article DOWN'S SYNDROME AND PIANO BY NUMBER 

ARTICLES ABOUT CHILDREN AND PRACTICING
Click here to read the article WHY NAGGING YOUR CHILD TO PRACTICE WON'T WORK
Click here to read the article RULES FOR PIANO PRACTICE
Click here to read the article DON'T CALL IT PRACTICE, CALL IT PLAY
Click here to read the article SETTING UP A CHILD'S PIANO PRACTICE REGIME
Click here to read the article WHY CHILDREN SUCCEED AT THE PIANO

ARTICLES ABOUT CHILDREN AND PIANO BY NUMBER
Click here to read the essay THE PIANO WHISPERER 
Click here to read the article STARTING TO PLAY PIANO BY NUMBER
Click here to read the report USE PIANO BY NUMBER WITH SCHOOL CHILDREN
Click here to read the article BUILDING A CHILD'S CONFIDENCE WITH NUMBERS
Click here to read the article TURN YOUR PIANO INTO A TOY

ARTICLES ABOUT ADULTS AND PIANO
Click here to read the introduction to EASY CLASSICAL PIANO BY NUMBER
Click here to read the introduction to TEACH YOURSELF PIANO, an excellent guide to important self-teaching points.
Click here to read the article RULES FOR PIANO PRACTICE
Click here to read the article TIPS FOR ADULT PIANISTS
Click here to read the article PIANO FINGER STRENGTH IS CUMULATIVE
Click here to read the article THE PIANO ZONE
Click here to read the article MAKING EVERY MINUTE OF ADULT PIANO PRACTICE COUNT

ARTICLES ABOUT THE PIANO
Click here to read the article HOW GOOD ARE TOY PIANOS?
Click here to read the article ORIGINS OF THE BLACK PIANO KEYS
Click here to read the article HOW TO BUY AN INEXPENSIVE PIANO OR KEYBOARD
Click here to read the essay WHY GRAND PIANOS ARE BETTER THAN UPRIGHTS
Click here to read the essay PIANO WARS: EVOLUTION OF THE PIANO IN AMERICA
Click here to read the essay THE GREAT PIANO CRAZE OF 1910
Click here to read the essay THE BALLET OF THE PIANO HANDS
Click here to read the essay A PIANIST'S MEANS OF EXPRESSION
Click here to read the report HUMIDITY AND YOUR PIANO

ARTICLES ABOUT PIANO TEACHING
Click here to read the article HOW TO FIND A GOOD PIANO TEACHER
Click here to read the article SO YOU WANT TO BE A PIANO TEACHER
Click here to read the article MY CHILD WANTS TO QUIT PIANO
Click here to read the article WHY KIDS NEED FREEDOM TO LEARN PIANO
Click here to read the article PSYCHOLOGY OF HOMESCHOOL PIANO
Click here to read the article THE PIANIST WITH TWO BRAINS
Click here to read the article YOU CAN ONLY ENJOY PIANO MY WAY
Click here to read the article TEN WAYS TO BE A BAD CHILDREN'S PIANO TEACHER
Click here to read the article KIDS SONGS FOR PIANO
Click here to read the article TEACH YOUR CHILDREN PIANO
Click here to read the article ARE KIDS PIANO RECITALS HARMFUL?

ARTICLES ABOUT PIANO LESSONS
Click here to read the article DISGUISING REPETITION IN KID'S PIANO LESSONS
Click here to read the article PIANO LESSONS FOR CHILDREN: HOME OR TRAVEL
Click here to read the article PIANO METHOD BOOKS FOR CHILDREN
Click here to read the article GUITAR OR PIANO: WHAT'S BEST FOR A SIX YEAR OLD?
Click here to read the article TEACHING GUIDE DOGS IS JUST LIKE TEACHING KIDS PIANO
Click here to read the article HOW COME MY KID HATES PIANO?
Click here to read the article USING FAMILIAR SONGS IN CHILDREN'S PIANO LESSONS
Click here to read the article HOW KID'S COMPUTER TIME AFFECTS PIANO LESSONS
Click here to read the article PIANO SOFTWARE OR PRINT BOOKS: WHICH IS BETTER
Click here to read the article FOLLOW THE CHILD'S PACE WITH PIANO LESSONS
Click here to read the article TOYS YOU SHOULD BRING TO A CHILD'S PIANO LESSON
Click here to read the article THE TRANSPARENT PIANO LESSON STRATEGY
Click here to read the article WHAT KIDS LIKE ABOUT PIANO LESSONS
Click here to read the article WHY CHILDREN FAIL AT PIANO LESSONS
Click here to read the article ATTENTION SPAN, CHILDREN AND PIANO
Click here to read the article PIANO FOR KIDS
Click here to read the article CHILDREN'S HIDDEN PIANO TALENT
Click here to read the article SELECTING CHILDREN'S SONGS FOR PIANO
Click here to read the article KIDS MUSIC AND THE PIANO
Click here to read the article CHILDREN'S PIANO POSTURE
Click here to read the article SHOULD PARENTS FORCE CHILDREN TO TAKE PIANO LESSONS?

ARTICLES ABOUT PIANO STICKERS
Click here to read the article WHY PIANO NUMBER STICKERS WORK FOR CHILDREN
Click here to read the article WHY PIANO STICKERS WORK FOR READING MUSIC

ARTICLES ABOUT PIANO GAMES
Click here to see the game QUARTERS: A PIANO GAME KIDS LOVE
Click here to see the piano game FUN PIANO GAME WITH A PAIR OF DICE
Click here to see the piano game MOZART'S FAVORITE MOVIE 
Click here to see the essay BASEBALL, KIDS AND PIANO
Click here to read about PIANO CHORD GAMES FOR KIDS
Click here to read about VISUAL PIANO GAMES
Click here to read about THE FUTURE EFFECT OF KIDS PIANO GAMES
 
MUSIC HISTORY AND HUMOR
Click here to read the article PIANO LESSONS WITH PAPA BACH
Click here to read the article PIANO LESSONS WITH FREDERIC CHOPIN
Click here to read the story HECTOR BERLIOZ AND THE TRAIN WRECK
Click here to read the story TCHAIKOVSKY'S GREATEST FAN
Click here to read the story STRAVINSKY'S GOOD LUCK
Click here to read the article CHOPIN'S SINGING TONE
Click here to read the article MUSICAL FEUDS
Click here to read the article MUSICAL GENIUS
Click here to read the story FRANZ SCHUBERT: THE FIRST BOHEMIAN
Click here to read the story BEETHOVEN'S RAGE OVER A LOST PENNY
Click here to read the story MOZART'S LAST DAYS
Click here to read THE STORY OF HUGO WOLF
Click here to read the story THE WORLD'S LARGEST BLUE DANUBE WALTZ
Click here to read the story BEETHOVEN WAS NO BEAUTY
Click here to read the story VLADIMIR HOROWITZ GOES TO THE RACETRACK
Click here to read the story EINSTEIN'S GYPSY VIOLIN
Click here to read the story IGOR STRAVINSKY LOSES HIS COOL
Click here to read the story ARTUR RUBINSTEIN WAS A VAMPIRE
Click here to read the story EINSTEIN'S PIANO
Click here to read the essay WHY BRAHMS MUST HAVE BEEN FAT
Click here to read the article PIANO HANDS
Click here to read the article THE MASTER'S HANDS
Click here to see the article TAKE YOUR KIDS TO THE OPERA
Click here to see the article GEORGE SAND KILLED CHOPIN
Click here to see the article I MEET AARON COPLAND
Click here to see the story CARL TAUSIG COOKS HIS CAT

CULTURAL CRITICISM
Click here to read the op-ed opinion column WHY AMERICA IS LOSING THE CULTURE RACE
Click here to read the op-ed opinion column WHAT KILLED THE GOLDEN AGE OF PIANO
Click here to read the op-ed opinion column AGAINST FILM MUSIC
Click here to read the op-ed opinion column CARNEGIE HALL STARTS IN YOUR LIVING ROOM

CHORDS AND MUSIC THEORY TUTORIALS 
Click here to read the tutorial ROOT POSITION CHORDS
Click here to read the tutorial FIRST INVERSION CHORDS
Click here to read the tutorial SECOND INVERSION CHORDS
Click here to read the tutorial THE SIX BASIC CHORDS FOR CHILDREN
Click here to read the tutorial TWO NOTE CHORDS FOR KIDS
Click here to read about PIANO CHORD GAMES FOR KIDS
Click here to read the article WHY CHILDREN SHOULD LEARN ABOUT PIANO CHORDS

Play Piano by Number! Kids love it!

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